Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?

On December 5, 2024, a leading publication published the front-page story “Insurance CEO Shot Dead In Manhattan”. The article went on to state that Brian Thompson was “shot in the back in Midtown Manhattan by a assailant who then calmly departed the scene”. The daytime killing was indeed both cold and shocking. But many Americans had a different response: for those who faced insurance rejections or struggled with medical bills, the news felt like a release. Social media blew up. One post stated: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the AI algorithm the insurance company designed to maximize profits on your health.”

Five days later, Luigi Mangione, a handsome, 26-year-old University of Pennsylvania alumnus with a graduate degree in computing, was apprehended at a McDonald’s in Altoona, Pennsylvania. He awaits trial on federal and state charges of murder, with the district attorney seeking the capital punishment. So what is his background? And what drove the accused offense? These are the questions John H Richardson attempts to answer in an investigation that explores broader themes, too.

Understanding the Person

A writer for a major publication, Richardson spent years researching the groups that exist in the hidden parts of the internet, writing stories about people “cursed with realistic fears about an end-times scenario”. To reveal “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was taken into custody, Luigi had a list of nearly three hundred titles on Goodreads”. Their subject matter ranged from climate change to masculinity, along with a “emphasis on his own self-improvement, both physical and mental”. Furthermore, Richardson analyzes his communications with influencers and authors as well as his many updates on digital networks. These primary sources, meant to paint a portrait of Mangione, instead render him an unclear character. Richardson tries to justify this by suggesting that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson tries to frame his subject in archetypal terms.

Mangione is profoundly worried about the world around him, one where ‘change is rapid whether we like it or not’

Interpreting the Incident

As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “deny” and “remove”, engraved on the bullets left behind at the crime scene. These are the terms sometimes used by medical insurers to deny coverage. He examines the indication Mangione suffered from a chronic back condition, which could have been a reason for an attack, but finds no proof; instead, what significance there is seems to rest in Mangione’s existential anxiety about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to eventually either dominate, or destroy us, or both.

Missing Pieces

Notably missing from the book are interviews with the principal actors. Richardson made requests, but did not anticipate time with Mangione himself. And his family made it clear that they had decided against speaking to the media in advance of the trial. Another flashing-yellow omission is any detailed data about the deceased, Thompson, though we learn that under his leadership, from 2021 to 2023, UHC profits rose significantly.

Ambiguous Findings

By book’s end, the reader has no clear understanding of Mangione’s character or what might have motivated his accused actions. More troubling, Richardson’s obvious sympathy for him gives the reader the disturbing feeling of having been privy to a subtle approval of an assassination. In the book’s final lines, Richardson presents his fairytale assessment: “We’ve entered a era of stories, the insane ruler, the monster in the maze and the emperor without clothes.” In that fable “outlaw heroes come with a appealing vow … They arrive in periods of unrest, when the people are suffering and everything is confusing anymore.”

One thing is certain: as Mangione’s defence team works to have accusations that could lead to the death penalty thrown out, any reference of fables, folk heroes, heroes or monsters will not be admissible as evidence in support for this attractive individual with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.

Charles Brown
Charles Brown

A seasoned sports journalist with over a decade of experience covering major events and providing insightful commentary.